'Survival Kit: House of See-More'
Latvian Center fot Contemporary Art
Riga, 2025


'Diorela '
mixed media
107 x 80 x 8 cm, 2025


'Karen Scott'
mixed media
116 x 79 x 5 cm, 2025


'Step by step '
collage with charcoal and pastel on paper,
70 x 100 cm, 2024


'42'
mixed media
67 x 67 x 7 cm, 2025


'Crack' & 'Pull and Bear'
mixed media
57 x 70 x 2 cm, 2025 & 51 x 70 x 2 cm, 2025




'Reconnaissance'
mixed media
100 x 72 x 3 cm, 2025


'Zara I' & 'Zara II'
mixed media
74 x 57 x 2 cm, 2025


The works transform previously worn garments into sensuous, symbolic objects. Once integral to everyday life and performance, these clothes relinquish their practical function to become vessels of bodily memory, intimacy, and queer embodiment. The combinations of garments associated with sexual expressions and elements linked to authority and social performance speak to the simultaneity of queer existence, where desire and dominance coexist within a single visual language. Through fluid articulations that traverse femininity and masculinity, they propose a mode of existence beyond imposed norms—mobilizing theatricality and subversive strategies of social navigation. These works articulate a queer performative philosophy rooted in fabric, spray, charcoal, and flesh. They construct a space in which identity need not be coherent, but rather affectively and politically charged. Through ritual, transformation, and rupture, they unfold as both elegy and manifesto—for embodied resistance, and for the utopian possibilities of queer becoming.
'HIS Basic'
mixed media
140 x 132 x 5 cm, 2024






The work was created on the inner lining of my old jacket, which I used to wear during the day as a form of camouflage to blend in with my surroundings. Through a ritual, I transformed this piece of clothing into an altar-like object that consists of many personal amulets that brought me luck in my emancipatory struggle, including coal (used for drawings), scents, and my hair. It was presented alongside a rap song I created about the life of a queer woman. The exhibition was accompanied by my essay exploring the work of Pawel Althamer and Artur Zmijewski from a queer perspective. The piece was shown in the exhibition Quivering at Hotel Warszawa Art Fair, organized by the Foksal Gallery Foundation.